ami-angelwings:

soozblog:

saladinahmed:

As I discussed in an earlier post, pre-Comics Code comic books are full of fascinating women superheroes who’ve been more or less forgotten in the decades since WWII. Born in the era of Rosie the Riveter, when there was a national campaign to get women into workplaces, these costumed heroines were brassy, hard-assed, snarky, and sometimes just plain weird. They displayed remarkable grit and independence, and were portrayed as better crime-fighters than the inept, sexist cops that got in their way.

Even removed from their intriguing, important place in sociocultural history, these stories are compelling bits of pure comics nerdery - eg, the fact that 1941’s Spider Queen was almost certainly the unacknowledged inspiration for Spider-Man. These characters deserve to be better known. Happily, the astonishing www.digitalcomicmuseum.org hosts full-issue scans of scores of public domain pre-Code comics. Which means you can read these comics right now, for free!

Here are a few of my favorite lost superheroines from the 1940s. Click on a character’s name to access an archive of their adventures!

FANTOMAH - Arguably the first woman superhero, and to this day one of the strangest. Fantomah is a near-omniscient (blonde) jungle spirit with incredible magical/psionic powers. She is always threatening her enemies with “a jungle death!” and she turns into a green skull with beautiful hair when she’s angry.

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LADY SATAN - Sometime Nazi-killer, sometime occult detective, Lady Satan roams the land in her stylish automobile, using gun, garrote, and fire magic to take out Reich agents and child-snatching werewolves.

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MOTHER HUBBARD - Looking like a cartoon witch, speaking only in rhyme, Mother Hubbard uses her bizarre occult powers to battle everything from fifth column saboteurs to Disney-esque dwarves that steal kids’ eyeballs.

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THE WOMAN IN RED - A gun-toting jujitsu expert, the Woman in Red is a sort of costumed private detective. She’s the bane of both criminals (especially those who prey on women) and inept male cops. But to the women she saves she’s quite…tender.

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THE SPIDER QUEEN - A chemistry lab assistant becomes a wise-cracking costumed herowho uses wrist-strapped web shooters to swing around the city and tie up bad guys. But this is 1941, and our hero is a woman.

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THE VEILED AVENGER - Although she’s the frilliest-looking of 40s superheroines, the Veiled Avenger might be the hardest. She uses her crop to make criminals shoot each other…and themselves. And in her civilian life as a District Attorney’s secretary, she scolds dumb cops who endanger witnesses.

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Sadly, these heroines all disappeared by the 1950s. As the national project of getting women out of the workplace took hold, bold self-sufficient superheroines became scarce on the ground. Despite some great work by amazing artists over the years, comics still doesn’t have enough of them.

[And now, a plug: I’m working on a longer piece on these heroines, and on some other stuff you might find interesting. You can learn more about all that here.]

Gotta get hold of some of that Mother Hubbard stuff! She looks awesome!

I love of all these (except the “jungle spirit” part of Fantomah, I think changing the backstory and her ethnicity would be really cool though), and some of these designs are excellent.  (And I wonder if Stan Lee read the Spider Queen when he was younger now >_>)  I’d totally love to see a resurrection of these characters.  They could be a really cool superhero team!  I really like the Woman in Red from a glance, because she helps women and I think we need more heroines like that.  (Part of why I like Nancy Drew.)

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prince-winter:

urrectum:

GLaDOS aka passive-aggressive queen bitch

Favorite line.

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Tags: portal

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Tags: spn art

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Tags: kitty

What’s brilliant about the writing is that in that moment, that’s the first moment Brienne considers it, and it’s the horror that that might be true and what she might have to deal with. […] She moves away; she doesn’t do the formal exit. She just has to turn away. Even Brienne is incredibly aware of respectability and manners, as difficult as it is for her; she’s still a lady. But she doesn’t give a formal exit, she turns away. Then in her eye-line is Jaime. It’s, I think, really slapped her hard on one side of the face, and then the other even harder, as she runs off red-faced. “Oh, God!” -  Gwendoline Christie

(Source: nochanceandnochoice, via elvishness)

fruitsgarden:

sometimes dogs get embarrassed that someone saw them acting anything other than a majestic and stoic beast

fruitsgarden:

sometimes dogs get embarrassed that someone saw them acting anything other than a majestic and stoic beast

(via psychopathsaresexy)

policymic:

Dreamworks is doing something even Pixar hasn’t tried: A black female heroine


DreamWorks Animation Studios has announced the addition of a black female heroine (gasp!) to its repertoire of white dogs, green ogres, snails, Neanderthals, pandas, white people and Antz. In doing so, it joins an elite club consisting of … well, nobody.
Not one major Hollywood studio has released a 3D animated feature starring a black character.
Read more | Follow policymic

policymic:

Dreamworks is doing something even Pixar hasn’t tried: A black female heroine

DreamWorks Animation Studios has announced the addition of a black female heroine (gasp!) to its repertoire of white dogs, green ogres, snails, Neanderthals, pandas, white people and Antz. In doing so, it joins an elite club consisting of … well, nobody.

Not one major Hollywood studio has released a 3D animated feature starring a black character.

Read more | Follow policymic

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ohsoshy:

me

ohsoshy:

me

(Source: theonion, via exfatalist)

my house is cold so i slept for ~3.5 hrs.

freedominwickedness:

thefingerfuckingfemalefury:

WHOSOEVER HOLDS THIS HAMMER, IF SHE BE WORTHY, SHALL POSSESS THE POWER OF THOR.

ACTUAL GODDESS NATASHA ROMANOV

I always knew she was one :D

As is so often true of comics, a lot of the awesome is in the details. Natasha can’t move the Hammer when she first reaches it. What makes her worthy at the end when she apparently wasn’t worthy just seconds before? Look at panels 2-3 again. Natasha’s got that big ogre right on top of her with his club already going back to strike … and instead of shooting it to save herself, she uses her last shot to bring down the flying reptile that’s chasing that fleeing shuttle. That act of self-sacrifice in the face of certain death is what made her worthy.

(Source: clintonfbarton, via exfatalist)

fuwe:

tinyishimaru:

when you draw a character so much you memorize their design and you dont have to look at a reference

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when you actually look back at the reference and realize youve been drawing them wrong the whole time

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(via centuriongluteusmaximus)

gilmoure:

vanityfair:

Sir Patrick Stewart and Sir Ian McKellen, photographed by Annie Leibovitz for Vanity Fair

That’s fucking Rembrandt level art.

shine-and-sass:

iheartchaos:

Weird Al Yankovic Demonstrates How His Faulty Hotel Door Chain Gives Anyone Easy Access to His Room

Via

oh mY GOD

(via centuriongluteusmaximus)

Tags: weird al video